Clay Coyote

We make art you can cook with

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TodayFood

September 5, 2023

Hello Today Show Folks: 

I am a lifelong Today watcher. I DVR the program so that (a) I won’t miss it and (b) when I am in a hurry I can fast forward to the Today Food segments. 

I own a pottery studio and art gallery in central Minnesota. We’re about to celebrate 30 years in operation. We specialize in pottery for cooking. We don’t make mugs. We have a special clay and glaze combo that allows the pot to expand and contract at the same rate, allowing them to go right on a stovetop or grill. Most pottery would crack in under a minute if you put it on a direct flame. There are only 2 other potters in the USA that specialize in pottery like this (one in Seattle-area and one in New Hampshire), we all have a slightly different aesthetic. 

Our top two pots are the Grill Basket and the Tagine. We make the only handmade clay grill basket in America (maybe the world). We also make the only domestic, handmade, clay tagine designed for the stovetop (traditional in Moroccan cooking). Those two pots compete for #1 because they’re so unique. 

I am sending the three of you a pot each. I would love for you to use them in your home (or at work). We have a very dedicated and passionate customer base that love cooking with clay. Our pots have been featured in cookbooks like Mediterranean Clay Pot Cooking by Paula Wolfert and Cassoulet Confessions by Sylvie Bigar. Our pots have been featured in Wall Street Journal, Food & Wine, NYT, Star Trib, PBS, CBS, NBC, FOX, WGN-TV, and more. Last year, Forbes named us as a top pot for home chefs (one of 12 and only handmade to make list). 

My personal goal is to someday cook with you in a Today Food segment. I cook LIVE on our local CBS Saturday morning program every couple months. I’ve loaded the car and gone down to cook live on WGN.

There is something really special about using handmade clay pottery to make homemade dishes. 

  • There’s a traditional aspect—there’s a reason archaeological digs find so many clay cooking vessels. 
  • There’s an authenticity to clay pot cooking—especially in African, Latin, and Asian recipes. 
  • There are also health benefits—the pottery is nickel free and has no non-stick synthetics that have perfluorooctanoic acid which can lead to adverse health outcomes. 
  • And lastly, they’re fun and pretty. 

I appreciate your consideration. 

-Morgan 

PS: If the Today Food spot isn’t the right fit, we’d welcome the opportunity to work with one of your producers to do an on-location, get behind the scenes, segment like when Harry Smith checks out oyster ponds or Maya Eaglin goes on a sourdough scavenger hunt. We would show you how we make the pots in the studio from start to finish and then show you how to put them in action in a kitchen. 

Links: go to 

  • PBS segment: https://www.pbs.org/video/clay-coyote-gallery-9aylfb/ 
  • WGN segment: https://wgntv.com/midday-news/lunchbreak-chicken-stir-fry-pita/ 
  • Small Business Administration highlights our small business: https://www.youtube.com/watch?v=h_qULnVJopQ&t=6s
  • Forbes: https://www.forbes.com/sites/katiebell/2022/11/15/holiday-gift-guide-2022-the-best-cookware-for-home-cooks/?sh=6c587a3a548f
Clay Coyote Team Fall 2021
Clay Coyote Pottery: Skillet Apple Crisp, Stone Fruit Shortcake
a vertically framed photograph shows a overhead view of a three clay coyote pieces being used to serve sushi. at the top of the photograph is a clay coyote little dipper glazed in midnight garden. it is the square style little dipper. it has a pair of chopsticks resting on it diagonally from the square little dippers top right corner going across it to the bottom left corner. the chopsticks have a design cut out of the larger end of them. the little dipper has had soy sauce poured into the bottom of it. in the middle of the photograph is a clay coyote large tray that is being used to serve sushi. it has 4 rows of sushi across it, totally 17 pieces, plus a dab of wasabi in the trays upper left corner. the row closest to the left side of the photograph is nigiri style sushi with the fish draped over the rice. the fish alternate between salmon then tuna then salmon then tuna again. each piece has black and white sesame seeds sprinkled on top of them. the middle two row are regular roll style sushi with carrots avocado and imitation crab leg. the row closest to the right has the one side of each piece (the one facing the viewer) coated with a brown crunchy looking topping that has had a brown sauce drizzled on the crunchy layer. the tray closest to the bottom of the photograph is a clay coyote small tray without handles. the small tray has only a pair of chopsticks making an elongated "X" across it. the two chopsticks making the X also have a design cut out of them. The chopsticks on both the top and bottom of the photograph are moon spoon brand chopsticks that are sold at the clay coyote. the photograph is well lit by white light. both trays and the little dipper are are all resting on a white counter top.
a horizontally framed photograph shows a clay coyote pizza stone that is being used to make a home made pizza. the pizza dough has been placed on the stone and sauce has been spread over it. the chef making it is currently in process of pressing their right thumb into the crust section of the dough to give the crust more texture/shape. their left hand is palm up, their right hand has their thumb down and it is very close to the dough, and it is visible where they had pressed their thumb into the crust. behind the pizza stone is a flour dusted cutting board. the cutting board has alternating wide stripes of light and medium brown colored wood. each wide stripe is divided by a thin stripe of dark brown colored wood. there is a clay coyote small tray with a bunch of fresh herbs in it. near the chefs right hand and in the upper left corner of the photograph is a clay coyote deep salad bowl glazed in feather. due to the camera angle it isn't possible to see what is inside. the lighting is natural white light from a nearby unphotographed window.
a horizontally framed photograph shows multiple clay coyote pottery pieces being used to make a fresh pizza. working left to right there is a clay coyote chili bowl glazed in yellow salt, that contains finely ground corn meal. to the upper right of that bowl is a clay coyote deep salad bowl glazed in feather. it has had some liquid recently used in it, as there is nothing in the bowl currently but there is a liquid shine inside the bowl. below that is a clay coyote pizza stone, which has the fully assembled but still raw pizza on its cooking surface. to the right of the pizza stone/pizza is another clay coyote chili bowl, this one is filled with shredded white cheese. above that or at the "2 o'clock" position relative to the pizza stone, is a clay coyote small tray with out handles. it has fresh herbs inside it. directly above that piece is a clay coyote little dipper (the square style) with sliced green pepper pieces inside of it. finally to the right of the small tray with the herbs is a clay coyote whiskey bowl filled with the pizza sauce. all the pieces listed except for the first (the chili bowl with cornmeal) are resting on a wooden cutting board. the wooden cutting board has wide stripes of light and medium colored wood that is divided by thin stripes of dark wood. the cutting board and the chili bowl with the corn meal are resting on a white kitchen counter top.
a horizontally framed photograph shows an arm placing a clay coyote pizza stone with a fresh raw pizza into an oven. the arm is coming from the right side of the photograph, with only the fore arm and hand visible. the hand is palm up using the primary bulbous handle of the pizza stone to place it onto the top rack (of two). the pizza is clearly raw, as the dough is still lightly colored and the shredding cheese is still not melted. the chef is also using their bare hands to place it in, indicating that it is not hot yet. the oven is lit by two long lights on either vertical wall.
a horizontally framed photograph shows a clay coyote pizza stone in use. it is on the top rack of an oven, cooking a fresh pizza. the pizza is freshly made and all the ingredients are still raw. the pizza stones cooking surface is completely covered by the baking pizza, only its non glazed edge and primary bulbous and secondary handles are visible, showing off the natural color of the clay. the pizza cooking on the stone looks to have corn meal on the crust, with plenty of white cheese layered on top of pepperonis. on top of the cheese layer there is small green herbs cut up and sprinkled over the pizza. the light in the oven in white, and there is warm yellow light coming from somewhere unseen. there are two racks in the oven. it is a convection oven, as there is a visible fan/blower in the back.
a horizontally framed photograph shows a relatively close up view of a clay coyote bread baker, a small glass jar of honey, a clay coyote little dipper and a small block of butter with a knife. all of this is resting on a wooden cutting board. the bread baker is glazed in yellow salt, with the lid resting on the "back" (relative to the viewpoint) circular lip of the bread bakers base. the bread baker has been used to bake a fresh loaf of bread, which is still resting inside the bread bakers bottom. the bread has a nice crust developed with light and dark brown coloration and a light dusting of white flour still remains on sections of the crust. to the lower right of the bread baker base is a clay coyote little dipper serving dish. it is 6 pointed. inside the little dipper is a piece of butter, with honey on its upper right corner. there is more honey resting to the right of the butter inside of the small dish. to the right of the bread baker, and "behind" the little dipper is a small 6 sided glass jar of honey. the label is white, with black writing and the words "raw local honey" can be made out, despite being out of focus. there is a dinner spoon resting inside the jar, the jars lid is off and unseen else where. to the right of the small honey jar is a kitchen butter knife. only the handle is fully visible, while the thinner blade is partially obscured by the honey jar. partially behind to the upper left of the bread baker is a small tray of butter. the knob of butter in the little dipper is clearly cut from this larger half pound(?) piece of butter. a silver butter knife handle is visible resting next to the butter. the wooden cutting board everything is resting on has wide strips of light and medium colored wood, with thin dark strips of dark wood dividing each wide piece from the next.
a horizontally framed photograph shows a full view of a clay coyote pizza stone that has been used to bake a fresh pizza. the pizza is almost completely covering the pizza stones cooking area. the cooking area of the pizza stone is glazed in coyote grey to denote that it is flameware. the pizza stones rim/edge, secondary handles and primary bulbous handle are all unglazed and show off the natural reddish brown of the clay. the pizza stone is sitting on a square wooden butchers block style cutting board (it appears to be over an inch thick of wood). the pizza stone is resting on the cutting board and the cutting board is resting on a white kitchen countertop. behind the pizza/butchers block (relative to the view point) is a clay coyote small vase glazed in feather with a large bouquet of flowers resting in it. further "back" is a gas stovetop range, with only one burner visible.
a vertically framed photograph shows clay coyote pizza stone that has bene used to make a fresh pizza. the pizza stone is only partially visible, as pizza is covering most of it. there is one slice of pizza being lifted just about 6 inches above the stone/rest of the pizza by a serving utensil. the hand holding the utensil is out of frame, and only a small amount of it is visible, as most is hidden under the pizza slice it is holding and the person holding it is completely out of frame. the pizza slice shows a good cross section of crust and toppings. there is a small amount of cornmeal visible on the crust, and on the pizza stone, beneath the lifted slice. in the background is a out of focus small clay coyote vase with a large bouquet of flowers resting in it.
a vertically framed photograph shows a clay coyote bread baker in yellow salt with the lid on. in front of it, is a jar of honey with the lid off, a loaf of fresh bread that has had two slices cut off a placed on a clay coyote sandwich plate glazed in zappa. the two bread slices are stacked on top of each other. the top slice of bread has had honey drizzled and spread over it. all of this is sitting on a cutting board. behind the cutting board and further back into the background (and out of focus) is a large clay coyote vase glazed in joes blue with a large bouquet of flowers resting in it.
a vertically framed photograph shows a clay coyote small skillet that has been used to start the apple slices for an apple crisp. the sliced and peeled apples are being poured out of the skillet into a clay coyote square baker. behind the square baker with the apples being actively poured into it is a clay coyote whisky bowl glazed in joes blue. it is partially obscured by the baking dish and apples. the bakers hands are visible in the upper left corner, they are holding the small skillet aloft with one hand and using a wooden spatula with the other. the workspace is a white kitchen counter top.
a vertically framed photograph shows a clay coyote whiskey bowl being used to pour a crunchy topping onto an apple crisp contained in a clay coyote square baking dish. both the whiskey bowl and the baking dish are glazed in joes blue. the bakers hands are visible coming from the upper left of the photograph with only their forearms and hands visible. the baker is using their left hand to hold the whisky bowl aloft over the baking dish, and is using their right hand to scoop the crunchy topping from the whisky bowl into the square baking dish. the baking dish is sitting on a white kitchen countertop, and is well lit by natural light.
a horizontally framed photograph shows a close up picture of a clay coyote tagine bottom with 6 pieces of well spiced chicken in it, with whole green olives, lemon zest and fresh herbs. the hand of the chef is coming into the frame from the top center, and has a full hand pinch grip, and is about to drop another ingredient onto the top center of the dish. the tagine bottom is glazed in coyote grey, which denotes it is flameware. behind the main focus of the photograph (the tagine dish) and to the slight left is a out of focus clay coyote large vase glazed in joes blue. there is sunlight visible on the white kitchen counter top behind the tagine bottom.
the photograph shows a clay coyote tagine resting on a stove top gas range. the lid is glazed in yellow salt. in the base of the tagine there is chicken and olives with fresh herbs and lemon slices. there is visible condensation on the part of the lid visible, and small wisps of steam are visible coming off the chicken. behind and to the left of the tagine base, on the nearby white kitchen countertop, is a clay coyote small vase glazed in feather. it has a large bouquet of flowers resting in it. the flowers have red and green colors. the background is a white brick facade
a horizontally framed photograph shows a clay coyote tagine with the top glazed in moroccan blue in the process of cooking vegetables. the tagine top (the moroccan blue part) is being held aloft above the tagine bottom, and above the vegetables. morgans right hand is coming from out of frame to the right and has just lifted the tagine top up to reveal the cooking vegetables contained within. behind and to the left of the tagine, is a clay coyote vase glazed in joes blue, with a bouquet of flowers resting in it. the flowers have red, orange, white, yellow and green. the backsplash behind the oven range is a white brick motif
a vertically framed photograph shows morgan placing the clay coyote special edition "cassole confessions" cassole into an open oven. only part of the ovens open door is visible in the photograph, just coming into frame on the bottom left. morgan is standing partially out of frame on the right side. she is smiling and looking down at the oven. she has her left hand flat, palm up supporting the bottom of the cassole, while her right hand is supporting it on the far side (from the viewer). she has a black shirt on and a tan apron. the background is out of focus, but a rug and wooden floors are identifiable.
a horizontally framed photograph shows a charcuterie spread sitting on a white kitchen countertop. there is a large butchers block holding most of the spread. there is a clay coyote large tray with handles glazed in midnight garden (black base with pops of dark blue) filled with the cheese, fruit and cracker spread. these include: craisens,, sliced apples, sliced cheese, wheat crackers, water crackers, green grapes, baguette slices and a clay coyote little dipper in the center of the tray filled with a deep purple jam. there is a silver serving spoon resting in the little dipper. there are more crackers, grapes, apples, cheese and bread behind the large tray. three is a little dipper in mint chip (black and mint green) filled with a nut mix (including whole almonds and cashews). further back is a clay coyote small tray without handles also glazed in midnight garden, it is filled with a baked brie wheel and some dark purple jam in a corner. even further into the background is a clay coyote dinner plate filled with some of the charcuterie selection. a couple yonomis are visible out of focus and partially out of frame.
a vertically framed photograph shows a top down view of a clay coyote chili bowl in merlot and a clay coyote baking dish glazed in joes blue. the baking dish is filled with freshly baked apple crisp, with a scoop missing out of the lower right corner. a large silver serving spoon rests there, tucked into the apple crisp. the chili bowl is filled with the missing scoop of apple crisp and a single spherical scoop of ice cream. the bowl is towards the "bottom" of the photograph while the baking dish is towards the "top". the photograph is bathed in white
a horizontally framed photograph with a top down perspective shows a clay coyote flameware dutch oven filled with a brown hearty stew. to the left of the dutch oven is two stacks of clay coyote bowls. the top bowl on the lower stack is in yellow salt, the bowl on top of the stack above it is glazed in mint chip. the lid to the dutch oven is off, and resting on the upper left portion of the dutch ovens bases lip. between the dutch oven and the two stack of bowls, a small silver serving ladles head is visible, the handle is hidden. the dutch oven, bowls and ladle are all resting on a white kitchen countertop. there is a mix of outside white light and the kitchens warm yellow light.
a vertical orientated shot. a clay coyote flameware cazuela sitting on a lit gas burner, filled with cooking vegetables. The vegetables include yellow baby potatoes, broccoli florets, whole pea pods, red bell pepper slices and halved brussel sprouts. The veggies have a light sheen of oil on them and cracked pepper visible through out. The cazuela handle is pointed away from the viewer, and the small secondary triangle handle is visible. The cazuela is grey with darker speckles through out the glaze. The very bottom of the cazuela is unglazed bare pottery. Behind and to the left of the frame is a slightly out of focus clay coyote dutch oven. The lid is on. further behind the dutch oven and out of focus is a knife block sitting on white kitchen counter top.
a clay coyote flameware small skillet sits in the middle of the frame. The skillet is grey with speckled through out the glaze. A woman's hands are seen cracking the second egg of two into the pan, the brown egg shell is cracking open and egg is still falling from the egg shell into the pan. In the pan two yokes are visible. The pan is on a lit gas burner with blue flame visible beneath it. In the foreground to the lower left of the shot, two brown eggs are sitting in a grey egg carton. Only the last 4 egg compartments are seen, the rest is out of shot. Behind the clay coyote flameware small skillet towards the upper left of the shot is a slightly out of focus clay coyote dutch oven with lid on. it is the same color as the skillet.
center frame is a clay coyote flameware small skillet with two freshly cracked eggs in the middle of the pan. The skillet has the handle facing to the right of the frame. The skillet is grey with dark speckles through out the glaze.They yokes look raw and the whites of the eggs are just starting to turn from clear to white, with a small bit of clear eggs still around the two yokes in the center of the small skillet. The gas burner is lit, with small blue flames visible
a woman in a dark shirt and grey apron is holding a red and black checkered kitchen hot pad around the handle of a clay coyote flameware small skillet. There are two eggs inside the small pan which is held at a slight angle over a lit gas burner. In the background, also on the stove top is a clay coyote flameware dutch oven with lid on, behind that is a knife block slightly out of focus.
a horizontally framed picture. a clay coyote dutch oven is sitting on the iron grate of a stove top gas burner range. The burner is lit and there is a small blue flame visible underneath the dutch oven. The dutch oven is in coyote grey with darker speckles through out the glaze. The lid is on, and the handles are pointing to the left and right sides of the frame. To the left of the dutch ovens are two stacks of clay coyote chili bowls. the nearest stack of bowls is 3 high with dark glazes visible, and the top bowl is in mint chip glaze. The second stack of bowls, slightly behind the first and to the left is 5 high with 2 joes blue, 1 mint chip and a yellow salt glaze on the top. the bottom bowl is hard to tell glaze. Behind the stack of first bowls is a clay coyote large vase in joes blue, filled with a fall bouquet with orange, yellow and red flowers
a horizontally framed photograph shows a close up of a clay coyote flameware cazuela filled with cooking veggies and small potatoes. the cazuela is sitting on a lit gas burner, with blue flame visible underneath. the cazuela is glazed in coyote grey (grey with dark speckling through out). the cazuelas main handle is pointed to the right. the vegetables within include: small whole yellow skin on potatoes, broccoli florets, halved brussel sprouts, whole green pea pods and some slices of red bell pepper. course black pepper has been sprinkled onto the cooking vegetables, and they all have a light sheen to them. to the left of the stove top gas range, is a white kitchen countertop. on the countertop is a clay coyote small vase glazed in feather (browns/cream/rust intermingling)
a horizontally framed photograph shows the process of how the pattern on the bottom side of a baking dish is imprinted into the clay. the potter, (only parts of the fingertips are in the photograph) is holding a roller, with a design cut into it, and has just rolled it across the surface of the flat clay laying on her work surface. the photograph is a very close up, with only the slab, roller and the immediate work surface around the slab visible.
a horizontally framed photograph shows a clay coyote potter in process of making a baking dish. she is standing at a table, near the corner of the room. the bottom of the baking dish is visible on a work surface, and she is in process of attaching the wall of the piece. she is looking down at the piece. the room is lit with sunlight. she has a grey shirt and blue jeans on, with a clay colored apron on. around her are various tools she uses.
a horizontally framed photograph shows a clay coyote yunomi being formed on a pottery wheel. the potter is seated (mostly out of frame) to the upper left with basically only his hands and knee visible. he is in process of making a clay coyote yunomi, forming it out of a larger lump of clay. he is holding a shaping tool to add grooves or ridges to the sides of the cup, with his right hand, and his left hand is being used as a stabilizer and guide
a horizontally framed photograph shows a behind the scenes shot of clay coyote pottery drying. the lights in the shop are not on, and a stream of bright morning light is visible in the upper left corner of the photograph. there are empty carts with plastic sheets on them in the background. in the fore ground is (starting nearest to the viewer) vases, then around 30 yunomis, then on the next table 14 dinner plates.
a horizontally framed photograph shows a close up of clay coyote pottery that has been bisque fired, and is stacked on wire racking, awaiting glazing. the lights are off in the shop. the closest pottery is on the left and moving to the right they are further and further away from the viewers perspective. the closest pottery is small trays without handles, then a stack of 9 large trays with handles, then another stack of small trays without handles. after that is 4 small skillets, and an ern. after that the pottery is too out of focus.
a horizontally framed photograph shows the clay coyote shop floor during the work day. sunlight is streaming through the four windows on the back wall. the left edge of the photograph shows a 6 shelf wire rack with pottery arranged on it. almost by the back wall a potter is working on slab pottery, in the mid ground of the photograph just left of center a potter in a plaid shirt and khakis is forming a yunomi cup "off the hump" (forming a cup out of the top of a larger amount of clay). closer to the right side of the photograph a potter is partially hidden by a cart filled with pottery, and covered by plastic sheets. the potter is wearing a black shirt and blue jeans.
a horizontally framed photograph shows a potter doing slab work with clay. only the potters torso is visible (on the left edge of the photograph) and her forearms/ hands. she has just rolled out a long thin piece of raw clay, and is lifting half of this piece up off the work surface. the work surface is white, and there is a white wall behind it visible, with various painted dots (part of a larger un-pictured mural on the the wall). there is a rolling pin visible on the work surface. the potter is wearing a apron.
a horizontally framed photograph shows a close up shot of a clay coyote bread baker bottom. the bread baker has been bisque fired, and is in process of being glazed. the artist's hands are coming from out of frame on the top of the photo. the background out of focus.
a horizontally framed photograph shows a close up of the top of a clay coyote glazing bucket. the surface of the glaze is turbulent, as a red mixing attachment is currently mixing the glaze. the photograph is close, close enough that not all of the top of the bucket is visible. the upper middle of the buckets rim is cut out of frame, with the rest of the rim being visible. the bucket is white.
All of our glazes are made in house
a horizontally framed photograph shows the potter pouring glaze out of a clay coyote bread baker bottom, having just submerged it in the glaze and is in process of pouring it out of the pottery. the entire piece is coated in the glaze. the potter is standing partially out of frame on the right side of the photograph, they are wearing a black long sleeve shirt and jeans, with the sleeves pulled up to mid-forearm. the background is out of focus, but shows some shelving, and another bucket of glaze, with a redder glaze visible around the rim of it.
a horizontally framed picture shows a clay coyote yunomi wine cup in the process of being glazed. the potters hand is visible coming from the upper mid right of the frame, they are holding the lip edge of the yunomi in a pinch grip with thumb and pointer finger. the yunomi has just been dipped into the glaze, and is angled with the mouth pointed slightly down, with glaze pouring out of the inside, back into the bucket.
a vertically framed photograph shows a clay coyote potter in process of making a tagine bottom. the photograph is a close up view of a potters hands smoothing/shaping the side of the pottery. the pottery wheel is partially visible. there is a blue plastic circular tray between the wheel surface and the pottery being shaped. the potters hands are on the left side of the pottery, and their (out of focus) body can be partially seen on the left side of the photograph. the wheel, the potter and the pottery are all only partially visible due to the closeness of the shot.
October 2022 Clay Coyote featured on WCCO Saturday Morning Show cooking with seasonal apples, pork, and pesto in a flameware cazuela and grill basket
October 2022 Clay Coyote featured on WCCO Saturday Morning Show cooking with seasonal apples, pork, and pesto in a flameware cazuela and grill basket
the photograph shows a clay coyote grill basket being used to cook mixed cut up vegetables on a lit grill. near the lower right corner of the photograph there is lit orange flame visible under the grills grate. the grill baskets handle is pointed to the left of the photograph, and is near by the lower left corner, just under halfway up the height of the photograph. the photograph was taken outside, so the photograph is lit with natural light.
the photograph shows a clay coyote flameware grill basket being used to cook diced potatoes on a grill. a hand is coming from the middle of the top edge of the photograph, reaching down with a pair of metal tongs to grab a few potatoes from the left side of the grill basket. there are yellow and red potatoes in the grill basket, with seasoning and crispy edges visible through out. the grill basket handle is pointed to the right of the photograph, with its smaller secondary triangular handle pointed to the left. the photograph was taken outside during the day.
the photograph shows a clay coyote grill basket being used to grill cut up veggies on a lit grill. the grill basket takes up the left side of the photograph. the cut up veggies include asparagus, broccoli and other greens unidentifiable. on the right side of the grill and photograph there is two steaks being buttered on the grill. a spatula with a orange silicone head is being used to butter the steaks, it is coming from the lower right side. there are visible flames under the steaks, and visible blue flame under the grill basket.

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